, but especially American remakes of international (particularly foreign-language) great films. When in doubt, check the label: 1. Director? (check) 2. Cast? (check) 3. Script? (check) 'The proof is in the pudding!'

heir midst, whilst the police force has a mole to contend with - with each one trying to out each other before the other does... Martin Scorsese remakes Hong Kong thriller Infernal Affairs (2002) for the English speaking world, and promptly bagged his first Best Director Oscar in the process. It's a thrilling picture packed with suspense and edginess, a psychological gangster picture driven by two men leading double lives that is leading them to the abyss. When the violence comes it erupts in thunderous strokes, all while the narrative pulses with paranoia. There are some irksome contrivances, but with a uniformly strong set of turns from the cast, great musical accompaniments, and a director returning to gangster form, The Departed is a sure fire winner. 8.5/10

ition with the State police. As the situation in the city becomes even more dangerous it becomes clear to both the cops and to "Costello" that there is a fly in their respective ointment, and those men's positions become even more hazardous. Now each must try to identify the other before the entire house of cards comes crashing down in a blaze of gunfire. If we add to the mix the fiery and determined detective "Dignam" (Mark Wahlberg) and a bit of love interest from "Madolyn" (Vera Farminga) and we get an engagingly complex thriller that unravels cleverly and slowly over 2½ hours generating a proper sense of menace. Nicholson is on superb form as the maniacal boss whom you just know probably isn't trustworthy - even for those his own side, and the focussed efforts from Leo and Damon deliver well to build the tension effectively. I liked the writing - and the paucity of it. There is comedy here, there is threat here but there is very little extraneous verbiage. The characters have a visceral quality to them that, as the story develops, really does immerse you in their tawdry and shady goings-on. I can't say that I loved the ending - somehow it seemed a little bit rushed, but there's certainly vindication there for someone... This is the kind of drama that thrives by knitting the myriad of threads together without having to faff about with timelines, loops, or repetition. It's a story that evolves in a plausibly hazardous yet characterful fashion and if you can catch it on a big screen, then it's highly recommended. Scorsese - indeed, just about everyone, at their best.