The Queen's Gambit
Details

Imagine a journey from America's quiet provincial towns to grand tournament arenas, all under the shadow of the Cold War. On one hand, a young woman at the center of one of the most male-dominated games in history; on the other hand, a soul prone to getting lost in the labyrinths of her own inner world. The Queen's Gambit is a rare television production that expertly combines these two tensions and breathes the spirit of the era into every frame. Anya Taylor-Joy, as Beth Harmon, seems to live not just on screen but within the game of chess itself. The story that begins in an orphanage reveals not only the discovery of a talent but also the vulnerabilities of the person who possesses that talent. A mind that sees chess pieces dancing in the sky is also a mind that struggles to maintain its connection with reality. This balance elevates the series to a much more layered place than a mere "genius story". Under the direction of Scott Frank, each episode meticulously reflects the atmosphere of the 1950s and 60s; every element from costumes to venues, music to color palette re-enacts the era. But the real magic lies not in the visual richness, but in the way the narrative draws you in. While watching, you may not feel like you're watching a chess game, but rather like you're a piece within that game. The themes addressed by the series are not limited to chess or genius alone. Addiction, loneliness, the social pressures of being a woman and the difficulty of forming a real connection are like background melodies embedded in every episode. The characters around Beth also contribute to this melody; some are rivals, some are refuge, and some are something that cannot be precisely defined. This mini-series, spanning seven episodes, doesn't require a long-term investment; however, the impression it leaves lingers in your mind for much longer. Perhaps its most remarkable achievement is that it appeals equally to both chess experts and those who have never touched a board. Because what is being described here is not chess, but a person's courage to confront themselves.
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Reviews
Austin
November 07, 2020
9/10
After zipping through this gripping miniseries, I think I have a new favorite Netflix original. Its star, Anya Taylor-Joy, is quickly becoming a favorite as well, delivering a great performance as Beth Harmon, a genius young chess player struggling with substance abuse and mental and emotional hurdles holding her back from her relationships and from true mastery of the game. She's charming, but also cool and calculated, reserved yet fun when she wants to be, and very beautiful and captivating...
as the lead in a big period drama like this. Her supporting cast carries their weight well, with lots of faces I've never seen, but many that I won't soon forget. The strange cowboy-esque New Yorker Benny Watts (Thomas Brodie-Sangster) and the imposing chess veteran, Soviet world champion Vasily Borgov (Marcin Dorociński) were highlights, both huge parts of what makes the show work and give it some of its biggest emotional moments by the end. Although chess is played on a tiny board and has intricacies far above the heads of most of the audience, careful editing in terms of pacing and commentary has elevated the game here into an exciting spectator sport, even for beginners. When Taylor-Joy's Beth sits across from the champion Borgov for their various matchups, I felt like I was sitting down to watch the NBA Finals or the Super Bowl. The show does a great job building up its climactic matches by laying out the emotional stakes and showing all the nights of hard work, all the mistakes, all the surprises and reversals, zoomed in at the exact right times to drive it home. It really inspires you to want to learn more about this complex game. Lastly, I want to draw attention to the setting, not only the beautiful execution of the mid-century time period, but the many locales featured throughout. Although the show starts in small town Kentucky, it quickly escalates as Beth rises from regional tournaments to international ones, and it really gives the show this great feeling of progression as the hotels and dining get more lavish and the characters navigate new waters. With the exception of the section set in the USSR, which I think is perfect, sure, maybe they could have gotten more out of these locations. But I still think they all color their respective episode really well and are exciting to see. This globetrotting focus is balanced well with Beth's time at home in Kentucky and keeps the show dynamic. I hope more people watch this fantastic show. It's #1 on Netflix right now so looks like they are. I really think it benefits from the miniseries format over being a standard long-form TV drama, getting out just what it needs to with no time to become stale, and no risk of an unresolved cliffhanger ending. Can't wait to see what these people make next!

MongoLloyd
November 10, 2020
1/10
I was loving this (pretty much) right up until the last episode when a woke deus ex machina suddenly appears in a Corvair to save the day. The cinematography is nice and the story of triumph rolls right along sans all the normal impediments one might expect. The adoptive mother goes right along with our heroes desire to be a chess champ. I never expected that to be so easy for her, and it was a little too convenient that the father left town and never returned. There ARE a few other implausib...
ilities that annoyed me, like the fact that an 8 year old would become addicted to tranquilizers to the degree that Beth did. Was her mother an addict? That was never even hinted at. People generally don’t develop severe addictions on their own without at least some genetic motivation and you can’t have something that big happen in a film story without explaining it. And what about all the free time she was allowed playing chess in the basement of the orphanage with the custodian. Also, I’m not sure how ALL the dancing came into it, because young Beth never danced around alone in her room. And, another thing I don’t fully understand is Beth’s desire to be a chess champion. Sure, she loves playing, but where did the inherent need to be the best chess player on Earth come from? That was never explained at all and I expected it to maybe be motivated by a need to make money since the adoptive father abounded her and the mother, but nope, that didn’t even happen. When a character is driven to do something, it’s generally because of some deep seated need or dire circumstance, but in this film we never see that need. It’s just there, and that’s lazy writing.
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Frequently Asked Questions
The Queen's Gambit has a total of 1 seasons.
The Queen's Gambit first aired in 2020.
The Queen's Gambit belongs to the following genres: Drama.
The Queen's Gambit has a rating of 8.4/10 from 5,536 votes on TMDB.
No, The Queen's Gambit has ended.
In the United States, The Queen's Gambit is available to watch on: Netflix, Netflix Standard with Ads.